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4.0
HD
李千娜,王彩桦,游安顺,蔡振南,田翔元,曾皓泽,黄惟,林毓家,林怡婷
2026
剧情
简介:拳来不要闭眼,机会一到,一拳狠狠打出去。面对成长的痛击,家玲迎难而上,等待逆袭的时机。她一边到拳馆苦练,一边帮妈妈经营便当生意。父母的婚姻已名存实亡,她不懂如何配合大人的游戏规则,擂台上甚至有人打假拳,她仍相信真诚才是最大本领。 李宜珊首部长片,延续其短片对边缘个体的关怀,刻划父权下的女性处境。找来曾是其纪录短片主角的拳击选手陈嘉玲担任指导,令镜头前的林怡婷脱胎换骨,表现出倔强的生命力,更赢得金马奖最佳动作设计殊荣。
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10.0
HD
贾静雯,白客
2026
剧情
简介:两个未知身份的男女,一场密闭空间下的网络直播审判,一次死亡与真相之间的极限逃生……
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8.0
HD
程思,王泽霖,林星潼
2026
剧情
简介:电诈头目陈一武潜逃海外实施诈骗犯罪,为将其引渡回国,中方海外追逃组长谭浩天与当地警方合作,寻找掌握犯罪证据的证人芦莉,在芦莉生死危急时,不惜生命相救,争取到芦莉自首,揭穿陈一武的假身份,完成海外追逃任务。
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10.0
HD
高杉真宙,伊藤万理华,深川麻衣,安藤裕子,向里祐香,希科罗希,铃木砂羽,松冈依都美,森田想,高尾悠希,后藤刚范,长友郁真,はなわ,安田显,余贵美子,柄本明
2025
剧情
简介:羽猫家は、みんな「嘘つき」である――。 空想の世界に生きる母、愛人の元に逃げる父、その全てに反発する姉、そして思い付きで動く適当な祖父と比較的まともな祖母。 そんな家の長男として生まれた山吹は、幼い頃から皆に合わせて成長してきた。だけど大人になり彼らの《嘘》がほどかれたとき、本当の家族の姿が見えてきて――? これは破綻した嘘をつき続けた家族の、とある素敵な物語!
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2.0
HD
宋星辰,特力克·尔斯汗,李一聪,加盆,塞力克拜·阿依恒
2026
剧情
简介:讲述了三流渔夫悦无名,在当地那座流传着水怪传说的神秘湖泊上整日漂泊。某天,他从湖中意外捕获了一条美人鱼,小镇从此被层层面纱笼罩,直到一个男人的出现,这神秘的一切最终真相大白。影片融合了悬疑和爱情元素,探讨了命运、因果与人性。
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10.0
HD
菲利克斯·勒费弗尔,Anja,Verderosa,苏珊妮·朱安内,维克多·邦内尔,萨拉·亨诺克斯伯格,裘斯·普瑞尔,Marie,Bucas-Français,Nolan,Masraf,菲尼克斯·布罗萨德,Aurélien,Vacher
2025
剧情
简介:雨果今年十九岁。像每个夏天一样,他都在大西洋的一个小岛上度过假期,住在他父母的小房子里。但今年不同;雨果身体发生了变化,他的女朋友奎因陪伴着他来到岛上,奎因是一位美容师,她的机智和长长的莱茵石指甲与这个年轻人的沉静和羞涩形成了鲜明对比。这对情侣很快就成了众人瞩目的焦点。
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6.0
HD
Melis,Sevinç,Melisa,Bostancıoğlu,İbrahim,Arıcı,Mert,Can,Sevimli
2023
简介:Ayşe, Ali, Mehmet and Zeynep are middle-class millennials struggling to make ends meet in Istanbul. Either still living with their parents or hardly getting by without help from their families, they are all beset by similar woes: money crunch, joblessness, social isolation. In view of the world’s horrors that Zeynep enumerates in her diary entries, these are minor problems, ‘slight disasters’, but they are all-consuming, at least to the extent of making them cry in the still of the night. However, Umut Subasi’s first feature, Almost Entirely a Slight Disaster, is not a melodrama. With an appealingly light touch, it diagnoses the malaise of a generation that has run up against a dead end, one whose future prospects are indistinguishable from a game of chance. This is a world where astrology, the lottery and online personality tests compete with visa and job applications as life-shaping elements. Fittingly, the film is structured around chance and coincidence, with its handful of characters encountering each other in every permutation, as though there were no world outside this small social bubble. With self-aware, frontal framing that pins characters to their surroundings and a counterintuitive musical score that turns pathos into humour, Subasi offers a social-media movie without social media, one whose characters are united in their double lives and frustrated desires. 源自:https://iffr.com/en/iffr/2023/films/almost-entirely-a-slight-disaster