我们的虚实人生[电影解说]第1集在线观看

简介：斯特凡诺（里诺·卡波里奇诺 Lino Capolicchio 饰）是一位文物修复师，一天，在好友安东尼奥（Giulio Pizzirani 饰）的推荐之下，市长索尔米（Bob Tonelli 饰）找到了斯特凡诺，希望他能够前往他所在的一个小村庄，去那里修复一副油画。该油画的作者名叫布诺（Tonino Corazzari 饰），是一位患有精神疾病的艺术家，在很多年前，布诺就已经被人们认为死亡了，可是直到今天，依然没有人能够找到他的尸体。 　　就在斯特凡诺在村子里修复油画的同时，安东尼奥也在调查着布诺的下落，某日，安东尼奥告诉斯特凡诺自己发现了布诺和这个村子有关的秘密，可是，安东尼奥还没来得及将这个秘密告诉斯特凡诺，他就被发现死在了自己家中，死因是自杀。

简介：A cruel headmistress torments a group of girls at a boarding school--refusing to believe their claims that there's a ghost haunting the hallways.

简介：少女苏珊・雪莱因母亲——一位迷人的社交名媛死于火灾而受到惊吓，被送进了疯人院。后来她从疯人院出来，此时她的父亲已经娶了新妻子，而这位继母嫁给父亲只是为了他从苏珊母亲那里继承的钱。苏珊依然被母亲的记忆所困扰，而继母则与她的情人麦克斯韦・里德密谋，试图哄骗这个心理有创伤的女孩，让她说出苏珊母亲失踪的钻石项链的下落。

简介：一对新婚夫妇搬进了新娘最近去世的姨妈的豪宅。很快，奇怪的事情开始发生，当豪宅的不同者逐渐离开，新郎新娘面临着一个致命的困境......

简介：故事发生在西班牙加泰罗尼亚的Costa Brava的一幢别墅里。Kimberley Prescott（Anne Baxter饰演）是一位年轻的南非钻石公司女继承人。在她父亲自杀后，她继承了家族的财产和生意。一天晚上，一名男子（Richard Todd饰演）到来，自称是她已故的哥哥Ward。然而，她的哥哥早已在一场车祸中丧生，而且她当时认了他的遗体。Kimberley对这个可恶的玩笑感到愤怒。Kimberley认为这个冒名顶替者是为了她的遗产，甚至是她父亲公司金库里丢失的钻石。她报了警。然而，这名男子有Ward的护照证明，并且还用照片详细描述他俩的童年等等来支持他的说法。尽管Kimberley坚持否定这个陌生人不是她的哥哥Ward，但其他人都接受了他就是Ward，包括他们的叔叔。这名男子很快就住进了Kimberley的别墅，更进一步融入了她的生活。每个人怀疑是Kimberley疯了，甚至她自己也开始怀疑自己。然后她意识到她还有生命危险。当地警探 Vargas (Herbert Lom饰演) 对此感到困惑不解以及担忧......

简介：This early 70's giallo by Umberto Lenzi is certainly among the best in his filmography and also in the whole genre. Personally I think Lenzi's best films are the funny cartoon-turned-film Kriminal, the stylish giallo Seven Blood-Stained Orchids, the explosive Napoli violenta and this. In the eighties he did plenty of film trash in form of Eaten Alive, Hitcher in the Dark or Black Demons, all of which are ripping something off and/or very dull and slow moving. Knife of Ice came when the giallo boom was at its hottest and the result is convincing. 　　Technically the film is superb, containing great cinematography in the beginning when we learn about the main character's trauma towards trains. From this point on, Lenzi shows us his ability to benefit the widescreen and, for example, the bicycle ride near the forest is genuinely beautiful! This scene also shows Lenzi's ability to build suspense, very slowly but meaningfully. After all, there aren't so many murders in the whole film, only the suspense circulating around the murderer's identity. 　　One suspect is a devil worshipper which brings new aspects to the mystery. Since the final scene takes place in a church, one can wonder if Lenzi wanted to comment on something, maybe the hypocritical morale of church and superstition. The main character (Carrol Baker) is mute which demands a lot from her face and eyes. The actress works very well, giving us a believable performance circulating around the emotions of fear and mental pain. The other actors are good, too. The finally, however, may not give too positive a sight about female sex since they all are expressed rather negatively in the film, one way or another. Still this is easily among the most noteworthy in the genre, not as bloody as the Argento films, for example, but equally suspenseful and visually also interesting.